Books with title Catherine of Aragon

The mythic element cannot be eliminated out of history. Men who play leading parts on the world’s stage gather about them the admiration of friends and the animosity of disappointed rivals or political enemies. The atmosphere becomes charged with legends of what they have said or done, some inventions, some distortions of facts, but rarely or never accurate. Their outward acts, being public, cannot be absolutely misstated; their motives, being known only to themselves, are an open field for imagination; and as the disposition is to believe evil rather than good, the portraits drawn may vary indefinitely, according to the sympathies of the describer, but are seldom too favorable.

The mythic element cannot be eliminated out of history. Men who play leading parts on the world’s stage gather about them the admiration of friends and the animosity of disappointed rivals or political enemies. The atmosphere becomes charged with legends of what they have said or done—some inventions, some distortions of facts, but rarely or never accurate.

J.A. Froude’s The Divorce of Catherine of Aragon covers one of the seminal moments in English history: King Henry VIII’s desire to divorce his wife, the popular Catherine of Aragon, so he could marry Anne Boleyn. Catherine was a popular Spanish princess and a Catholic, so the Catholic countries and the Vatican refused to annul their marriage, which eventually brought about England’s split from the church and the introduction of the Church of England.

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The Divorce of Catherine of Aragon, The Story as Told by the Imperial Ambassadors Resident at the Court of Henry VIII by James Anthony Froude. Catherine of Aragon (1485–1536) was Queen of England (1509-1533) as the first wife of King Henry VIII and previously Princess of Wales as the wife of Prince Arthur. The mythic element cannot be eliminated out of history. Men who play leading parts on the world’s stage gather about them the admiration of friends and the animosity of disappointed rivals or political enemies. The atmosphere becomes charged with legends of what they have said or done—some inventions, some distortions of facts, but rarely or never accurate. Their outward acts, being public, cannot be absolutely misstated; their motives, being known only to themselves, are an open field for imagination; and as the disposition is to believe evil rather than good, the portraits drawn may vary indefinitely, according to the sympathies of the describer, but are seldom too favourable.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.